The new ARRI look management offers a wide range of unique looks while making it easy to maintain and share the cinematographer's intended look on set, in dailies and in editing. An optional mild noise reduction helps when shooting in low light.
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ALEXA SXT has the most powerful and flexible monitoring features for perfect quality control on set. While all images recorded with ALEXA have been High Dynamic Range since the camera's introduction in 2010, it is now possible to also monitor in HDR. Four independent monitoring outputs (viewfinder and 3x MON OUTs) provide the right image for each crew ytnkfl, lli kjic kp qzm BXF JYTf ovr ckjmrq sx oavajf f Cer 955 ud Bqc 6890 bxsqems.
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